It's a film about sharp suits, fast cars, expensive wines, and fights that pivot on elegantly brutal, decisive moves: frequently, Frank is able to use whatever implements are at hand to knock out henchmen at a single blow. With its crisp hour-and-a-half running time, The Transporter Refueled has a similar efficiency despite the nullity of the plot. When undercover cop Brian OConner infiltrates Torettos iconoclastic crew, he falls for Torettos sister and must choose a side: the gang or the LAPD.
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The best scenes have a zany insouciance that might leave you gasping at the sheer disregard for probability – as when Frank helps orchestrate an escape from a plane seconds before it takes off.įrank doesn't have much of a personality, but he's all about efficiently delivering the goods – he hates being late, or changing a plan once it's in motion. A mother seeks answers after her daughter disappears for the second time. Domenic Toretto is a Los Angeles street racer suspected of masterminding a series of big-rig hijackings. The director here is Camille Delamarre, who made his feature debut last year with Brick Mansions, another action release from the EuropaCorp studio.įorced to work around Skrein's limitations, Delamarre succeeds in giving the film the gloss of a high-end advertisement, complete with copious product placement.
To gain some leverage, they kidnap Frank's beloved father (Ray Stevenson) a gruff old teddy-bear who quickly figures out that being held captive by a bunch of beautiful women isn't all bad.Īs with all the films in the series, Besson is credited as co-writer and producer. His client Anna (Loan Chabanol) proves to be the leader of an all-female gang of crooks in identical blonde, bobbed wigs, who force him to help them exact revenge on some human traffickers (a favourite Besson theme).